Genre: MetalFormat: mp3 / FLACQuality: 320 kbps / LosslessTotal Time: 02:28:01Total Size: 329,4 Mb / 1,07 GbTracklist:CD1:- BBC Radio 1 Friday Rock Show, 14th November 1979 -01. Iron Maiden (03:46)02.
Running Free (03:10)03. Transylvania (04:03)04. Sanctuary (03:01)- Reading Festival, UK 28th August 1982 -05. Wrathchild (03:32)06. Run To The Hills (05:36)07. Children Of The Damned (04:48)08. The Number Of The Beast (05:29)09.
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22 Acacia Avenue (06:36)10. Transylvania (06:20)11. The Prisoner (05:50)12. Hallowed Be Thy Name (07:37)13. Phantom Of The Opera (07:02)14.
Iron Maiden (04:58)CD2:- Reading Festival, UK 23rd August 1980 -01. Prowler (04:27)02.
Remember Tomorrow (05:59)03. Killers (04:43)04. Running Free (03:53)05. Transylvania (04:49)06. Iron Maiden (04:56)- Donington Monsters of Rock, UK 20th August 1988 -07.
Moonchild (05:43)08. Wrathchild (03:00)09. Infinite Dreams (05:51)10. The Trooper (04:05)11. Seventh Son Of A Seventh Son (10:27)12. The Number Of The Beast (04:43)13.
Hallowed Be Thy Name (07:10)14. Iron Maiden (06:01).
Contents.Background The very first version of Eddie was a mask made by an art student who was friends with Dave 'Lights' Beazley, then in charge of lighting, pyrotechnics and other effects for Iron Maiden's live show. According to Beasley, the original mask was a mould of his own face, which was then used in the band's backdrop, consisting of lights and the band's logo. At the end of their live set, during the 'Iron Maiden' song, a fish tank pump was used to squirt fake blood out of the mask's mouth, which typically covered their then-drummer.
After this initial incarnation, Beasley constructed a larger mask out of fiberglass, equipped with flashing eyes and the ability to release red smoke from its mouth.The band's bassist and founding member states that the name 'Eddie' comes from the fact that said mask was referred to as 'The Head', which sounded like in the band members' London accent. According to guitarist the name was also inspired by an old joke:'A wife had a baby, but it was born with only a head and no body. 'Don't worry,' says the doctor.
'Bring him back in five years time, and we'll probably have a body for him'. So five years go by, and there's Eddie the 'Ead, as his parents have called him, sitting on the mantelpiece, when in walks his dad. 'Son,' he says, 'today's a very special day. It's your fifth birthday, and we've got a very special surprise for you.' 'Oh no,' says Eddie. 'Not another fucking hat!'
' backdrop, featuring Eddie, during The Final Frontier World TourOnce Iron Maiden had secured a record contract with, the band's manager decided that the band needed 'that one figure who utterly stamped his presence and image on the band in a way that was obvious enough to make a good album cover.' After seeing some of his artwork on a poster, Smallwood set up a meeting with and asked to see some of his other illustrations, in the midst of which was the band's cover. Originally created as an idea for a punk record (which Riggs states in the documentary was based on an alleged American's skull stuck to a Vietnamese tank), the band had extra hair added to the illustration, making it more suitable to their style of music, and transferred the name from the original masks they used onstage. Surmising that the creature had 'great visual continuity,' Smallwood decided it would be used for all of the band's artwork.Smallwood claims that, EMI's then managing director, came up with the idea that Eddie could become a more active part of the band's concerts, originally portrayed by Smallwood himself, wearing an Eddie mask and a leather jacket. The classic 'walk-on' Eddie was created for tour by Dave Beasley after seeing a pantomime version of, which used similar giants, consisting of 'basically a bloke on stilts but dressed up to look about ten feet (3 m) tall.' As the band's stage show expanded, an additional gigantic Eddie was also incorporated at the back of the set during 'Iron Maiden', which, like the 'walk-on' Eddie, would match the theme of the current tour, such as the 30-foot (9 m), mummified version used during the, which shot sparks from its eyes. The 'Extra-large' Eddie used during theEddie's debut appearance was on the band's first single cover, ',' in which his face was covered by a shadow to protect his identity before the release of the band's first album.
Since then, Eddie has assumed a different guise for each cover, such as a 'mummified Egyptian god' for, a lobotomised mental patient for, emerging from a grave in, and a cyborg for. In addition to the band's album covers and live shows, the character also appears in merchandise including T-shirts, posters and action figures, as well as the group's two: the 1999, and the 2016, Iron Maiden: Legacy of the Beast. On top of this, Eddie is featured as an in.
Controversy Some of the band's artworks have proved controversial, such as the cover of ',' in which Eddie can be seen standing over the corpse of. It was claimed that Iron Maiden were banned from releasing the single without censoring the cover, blacking out Thatcher's face, although Riggs has since claimed that this was fabricated by the band's management to gain publicity in the British tabloids.The greatest controversy, however, was reserved for the band's third album, whose artwork depicted Eddie controlling like a marionette. Originally created by Riggs for the ' single cover, but deemed too good by Smallwood and withheld for the next studio release, the image, along with the record's, led to the labelling Iron Maiden as Satanists and organising public burnings of their back-catalogue in the United States, which in turn gave them a large amount of publicity.During the course of in, Eddie, specifically as he appeared on the sleeve of ', became an unofficial mascot of the group and was the main figure on a number of the group's.
During in 2011, after Iron Maiden did not perform 'The Trooper' in Belfast, reported that there had been speculation amongst fans that this was due to the artwork's use in murals. Recognition described Eddie in 2008 as 'the most recognizable metal icon in the world and one of the most versatile too,' while in 2009, called him 'perhaps the most enduring band mascot of all time.' Many artists who have been influenced by Iron Maiden hold their artwork in high regard, with, former member of commenting that he bought his first album 'on the strength of the cover alone' and, also of Slipknot, stating that 'there wasn't a dude that I hung out with that wasn't trying to draw Eddie on their schoolbooks.'
, from, says that they have 'the coolest album covers in the music industry' and, of, comments that 'they had the best packaging, the coolest T-shirts — everything.' Describes Eddie as 'the immortal soul of Iron Maiden, the defining symbol of the eternally youthful, blissfully uncompromising spirit of the band's music.' In 2008, Eddie won the 'Icon Award' at the. Other artists.
Melvyn Grant's The Final Frontier version of Eddie duringFrom 1980 onwards, the band's Eddie artwork was provided exclusively by Derek Riggs until 1992, when the band decided to accept contributions from other artists, with Smallwood explaining that they 'wanted to upgrade Eddie for the '90s. We wanted to take him from this sort of comic-book horror creature and turn him into something a bit more straightforward so that he became even more threatening.' Since then, Riggs has contributed much less to the band's artwork, creating part of one studio album, one single and two compilation covers, while the band have employed a number of different artists:. first drew Eddie for the sleeve, the first time anyone other than Riggs had designed a cover for Iron Maiden in which Eddie was pictured. Grant also worked on the, ', and covers.
Mark Wilkinson's The Book of Souls Eddie as it appears on the band's Boeing 747,. depicted Eddie as a bat for the poster of their 1992 appearance, which was later used for the cover of the remaster., the first artwork featuring Eddie, originally created for a possible punk record, based on an American's head allegedly stuck to a Vietnamese tank. ', the band's first release to depict Eddie, painted after the album cover so his face was hidden to protect his identity.
', showing Eddie above Margaret Thatcher's corpse, wielding a knife. According to Riggs, the band's management censored the image themselves to gain publicity. 'Women in Uniform', according to Riggs features Margaret Thatcher about to get 'her own back' on Eddie., featuring Eddie with an axe and his victim clawing at his shirt. Based on a block of flats in which Riggs lived at the time, it contains several references to the band, such as the 'Ruskin Arms' and 'Charlotte the Harlot'. ', features Eddie's spirit reaching towards a woman through a mirror.
According to Rod Smallwood, Iron Maiden's manager, the band were criticised as Eddie appeared to be attacking the woman. ', depicts the devil's face crumbling away to reveal Eddie., shows Eddie with a Samurai sword. The cover was painted at short notice as the original, featuring Eddie decapitating, was withdrawn as the band were considering replacing him., depicts Eddie controlling the Devil like a puppet, who, in turn, also controls a puppet Eddie, causing controversy with American evangelists.
Originally painted for the 'Purgatory' song, Smallwood withheld the artwork for the following album, deeming it too good for a single. ', shows Eddie fighting Satan with a Native American, a reference to the song itself. ', the single cover showing Eddie holding the devil's severed head, which Riggs claims was meant to look like., a lobotomised Eddie, in a, is chained at the neck to a padded cell. ', shows a metal-winged Eddie torching with a, which Riggs states was meant to look like 's logo. The painting also contains a small box, meant to be Eddie's Piece of Mind padded cell. ', depicts Eddie in a, during the., featuring a statue of Eddie as an Egyptian pharaoh.
', showing Eddie sitting in front of an atomic explosion. ', depicts Eddie in a cockpit., shows Eddie rising from the grave. ', contains live versions of 'Run to the Hills' and ' and so featured Eddie as in a hilly landscape., Eddie appears as a in a -inspired future. The cover is notable for containing dozens of Easter eggs relating to the band and pop culture references. ', as the single came out before the album, the band did not want to reveal Eddie's new cyborg guise, so he appears only as a partial reflection in a time machine's monitor.
', depicts a like Eddie in a -esque bar., depicts a surreal Eddie with most of his body removed, which Riggs claims was because he was 'sick of painting him' and this would mean there would not be as much of him to draw. Riggs also comments that he set it in a 'polar landscape' after seeing a documentary on the North Pole, and that Eddie's head on fire was inspired by. ', shows Eddie's brain being destroyed by a forearm on a spring. ', according to Riggs he drew the artwork in a single night. ', depicts Eddie with three faces, indicating the ability to see the past, present and future.
'/, featuring Eddie riding a motorcycle., shows Eddie bursting out of another grave. The cover originally had Eddie strangling a gravedigger while bursting from the grave.
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Iron Maiden Metal Archives
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Iron Maiden Internet Archive
'Some people really hate it – the things some of them wanted to do to me on the forums, you wouldn't believe. I think they wanted Eddie to eat me. 27 July 2010. Retrieved 23 September 2011. Garney, George (4 July 2015).
Bbc Archives Iron Maiden
'The Beast Within'. (1575): 16–21.References.